Someone once wrote that Patricia Highsmith’s books made you realize how predictably characters in most thrillers behaved; Brad Anderson’s film Transsiberian accomplishes much the same thing. Emily Mortimer is fantastic (and, well, unpredictable) in the lead. The spell is perhaps broken in the last act, when it becomes an action movie, but I didn’t mind.
I’ve abandoned books by Frederick Forsyth and Tom Clancy and Robert Ludlum before my flight started boarding. In Gun Work, David J. Schow gets right the thing they most often get wrong: When he interrupts a gunfight to tell you that an Uzi on full auto tends to recoil up and to the right, it’s germane to the action at hand -- not just a clump of research to trip over.
Man, it’s been weeks since I put anything up here, but that’s the way it goes. Today I couldn’t find time to shave. If you like your blogs updated daily, you should check out David Cranmer’s very engaging The Education of a Pulp Writer. Today David announces the launch of a new e-zine he calls Beat to a Pulp. How could it not be good? (Dec. 15th )
Thursday, November 20, 2008
Friday, November 7, 2008
Writers On The River
Detroit Noir editors E.J. Olsen & John C. Hocking are taking part this Sunday in the 10th Annual Writers On The River Book Fair in Monroe, MI.
Check it out, won't you? I cannot attend, and my heart flutters at the thought of those two wandering unsupervised near a body of water.
The relevant details are here.
Check it out, won't you? I cannot attend, and my heart flutters at the thought of those two wandering unsupervised near a body of water.
The relevant details are here.
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