I couldn’t tell you why the bulk of the story needed to be told in flashback -- and wouldn't it have been a better story if Tom Wilkinson’s character hadn’t been on meds in the first place?
Minor caveats. Michael Clayton is great.
Minor caveats. Michael Clayton is great.
With this film and Syriana and Good Night, and Good Luck (and even, I would say, The Peacemaker, and misfires like Intolerable Cruelty and The Good German), George Clooney seems dedicated to making movies that presuppose, in a way that most American movies since the late seventies have not, an intelligent audience of genuine adults.
He's a good guy to have around.
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