I read all my George Pelecanos a decade ago, in one binge, from The Big Blowdown through Hell To Pay. In recent years, I tried his earliest books, the Nick Stefanos series, but couldn’t get into them: All the weaknesses of the later books I had read -- the cataloguing of music played and substances abused; character revealed through preference for this or that vintage soul tune (which the reader might or might not have knowledge of/access to); the strain to be hip, I think, when what he was really writing, urban westerns, could not help but be, at heart, pretty square -- were too much out in front of any story he had to tell in his youth.
He’s all grown up in The Night Gardener, and if I confess to missing a certain energy that may have come from the same place as the worries over hipness, he has nevertheless embraced his own squareness, which makes for a better novel.
Still, when I want to turn a friend on to his stuff, I’ve got to admit: I’ll hand over a copy of The Sweet Forever, or Right As Rain.
****
Saturday, February 12, 2011
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